Thursday, February 24, 2005

Chris Rock, American Conservative?

An interesting take on Rock from Slate Magazine, which discusses Matt Drudge's outrage regarding Rock's appointment as Oscar host, and whether Drudge is missing the point...

What really bugs Drudge isn't the F-words, which thanks to a several-second broadcast delay you're no more likely to hear at the Oscars than a Mike Leigh acceptance speech. It's Rock's politics. In particular, Drudge objects to a stand-up bit in which Rock announces that "it's beautiful that abortion is legal" and says that he likes to pick up women at abortion rallies. "'Cause you know they're"—well, here Rock uses one of those words Drudge doesn't think very classy. Because he knows they're sexually active.

That's some tasteless "S," no doubt about it. Drudge's selective quoting, however, doesn't do justice to the joke. Putting the bit in context doesn't make it safe for the hallowed red carpet (whose purity is defended by the chaste, bare-breasted goddess Jennifer Lopez), but it does affect the meaning. Far from an encomium to fetus killing, Rock's abortion bit is an attack on women for the frivolous manner in which they decide whether or not to keep a child. "When a woman gets pregnant, it's a choice between the woman"—here Rock pauses, a mischievous grin barely restrained—"and her girlfriends." From there: "One girlfriend goes, 'Child, you should have that baby—that man got some good hair…' And the other girlfriend says, 'Child, why we even talking about this—ain't we supposed to go to Cancun next week? Get rid of that baby!' " And that, Rock says, "is how life is decided in America."

The assumption is that women who get abortions are frivolous and irresponsible rather than poor and desperate, as a liberal might have it. Not much there to offend a conservative's sensibilities. Though Drudge claims the academy "went to the gutter" by picking Rock, where it actually went was to the right. Rock may speak the irreverent language of blue comedy, but more often than not, his ideas are red-state red.

Take, for instance, the opening numbers in Bigger & Blacker, the HBO special Rock did in 1999. He begins with a discussion of the Columbine shootings, then recent, dismissing attempts to examine the shooters' psychology. "What ever happened to crazy?" he demands. He next turns to gun control, which he's against, and single mothers, whom he also doesn't like. "If a kid calls his grandma 'mama' and his mama 'Pam,' he's going to jail," Rock explains. To all the women who leave their kids at home so they can pop some bubbly at the club, Rock has this advice: "Go take care of those kids before they rob me in 10 years."

Sub a few $10 words for some F bombs, and this material could almost have come out of the hallowed jowls of William F. Buckley Jr. Obviously not all of Rock's material has this bent—no decent comedian would limit himself to ribbing one side of the aisle. Rock has joked that joining a political party is like joining a gang; of his own political beliefs, he says on crime he's conservative, on prostitution he's liberal. But at bottom, there's no denying the right-leaning strain underlying his social commentary. Even his economic outlook is Republican: Black people, he says, would do well to take their money out of rims and put it into stocks.
I'm not sure he's Buckleyesque -- for one thing, I can't imagine him brawling with Gore Vidal. But the thing I enjoy about Rock's comedy (and also that of Dennis Leary when I've seen him do standup) is that he won't hold anything sacred, just as a comic should. Rock will probably pepper the audience with a ton of anti-Bush jokes Sunday (hey, he's got to play to the crowd), but he will also zing the preconceptions of liberals as noted above. In the end, that's the best kind of comedy, and one that both right and left should appreciate.

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